River's Bridge Reenactment: Photo by Jerry Durgan



A Helluva Way To Grow Up
(You Skeered?)

Jerry Durgan

Bamberg, SC 29003

803-245-4445

Fiction

 

"You skeered, Cornbread?" Johnny asked, trying to swallow hardtack down a dry throat that kept restricting.

"Yup," Cornbread answered in a harsh whisper. "You been in this before?" he asked.

"Nope," Johnny said in a nervous quiver. "Fust time ever. Whut's it like?"

"Ain't like nothin' you've never seen. Ain't somethin' you want'a see 'gain, neither. It's hell, you betcha. It's hell comin' 'n goin'."

"How old you be?" Cornbread asked, looking at the dirty, worn and frail body dressed in a ragged heavy gray wool coat at least two sizes too large, poking a dirty finger in the torn sleeve of Johnny's coat.

"Tore that comin' through them bramble bushes this mornin'," Johnny whispered. "I be twenty," he responded.

"Twenty my ass," Cornbread snickered. "You be twenty then I be Abe Lincoln. You ain't twenty by a damn sight."

A tear started to roll down Johnny's cheek only to be quickly wiped away on a grimy sleeve. "Don't tell nobody," he said. "Don'cha dare tell nobody. Turned seventeen yesterday," laying his musket against the palmetto log barricade and rolling over on his back. "Sure wish't I war'nt here."

"Watch that musket, man," Cornbread warned. "Get that powder wet an' you be dead meat, that's for sure. Damn it's cold. What'cha doin'?"

"Jus' wan'na show you somethin'," Johnny said, reaching underneath his coat and pulling out a dog-eared photograph of two women. "That there be my mom and my woman," he said, handing the photograph to Cornbread.

Taking it and wiping it against his knee, "Which be your momma and which be your woman?" Cornbread asked, snickering.

"That be my mom," Johnny said, jabbing his finger at the older woman in the picture. "That by my woman. Her name's Janine," he said, pointing to a pretty young girl of sixteen or seventeen.

"She's purty," Cornbread said, "they both be purty," handing the photograph back.

"Want you to keep it," Johnny whispered. "If'n I don't come out'a this swamp, want you to tell 'em I loved 'em. Do that for me, will you?"

"Billy Yank ain't gonna get you," Cornbread said. "Sure. I'll do it. But them yanks ain't gonna get you. Just keep you're powder dry an' you be okay. Look's like it's gonna rain again. Damn, it's colder'n a witches tit," Cornbread shivered, hunkering deeper into his coat. Peering through the overhanging trees, "Sun's goin' down. "Won't need to worry much 'bout them yanks 'till mornin'. They don't like the idee of wadin' through them Salk swamps at night. Snakes 'n alligators scare the snuffin' out'a 'em. 'Sides, the rains've filled them rivers an' swamps. They'd have to wade waist deep. Try to get some shut-eye, Johnny. Going to be a long day tomorrow."

Suddenly, through the twilight darkness, hidden by the cypress and swamp oak, a voice range out, taunting, "Johnny Reb. Johnny Reb. We comin' to get you Johnny Reb."

Rolling back onto his stomach, snatching his musket and hunkering deep behind the earth and log barricade, Johnny whispered, "Holy mother of god, what was that?"

"Don't pay them no nevermind," Cornbread whispered. "That be the yanks' advanced guard. He just trying to get us to show our positions, that's all. Don't pay him no attention. Jus' keep quiet. He'll go away."

"Eeya," the voice cried. "Eeya. We comin' to get you, Johnny Reb."

Looking over the parapet, Cornbread pointed to the front right. "He be 'bout a hunnert yards over there," he said, pointing. "If'n it warn't gettin' dark I could pop that little skunk," he said, slapping his musket. Turning on his side, he faced Johnny. "How long you been in?" he asked.

Johnny, rolled up into a soggy bundle of gray coat, said in a muffled whisper, "Four months come March. Not long."

"I been with General McLaw for nigh on three years now," Cornbread said. "He's a good man, but I'll tell you, Johnny, we be outgunned this time for certain. Them yanks probably have five, six, maybe seven thousand troops out there. We gonna have a real fight on our hands. You can bet your butt on that. You sure ain't had no time to get ready for this. Four months. That's a lot of growin' up to do in four months."

Dark clouds covered the February stars, night pitch black as bullfrogs in the Salkehatchie began their throaty songs as if all was right in the world. "Listen, Johnny, hear them frogs? If they quit, then you know somethin's amiss. They be good night sentries," Cornbread whispered. "Just keep you're ear tuned to them. You c'n sleep so long as they be croakin'. If they stop, it'll wake you right up. Take my word."

Suddenly one long, drawn out wail of a bugle squealed through the darkness and out of the swamp followed by a heavy beating overhead and a high-pitched scream that seemed to float overhead through the dark air.

Two hearts skipped a beat then pounded so heavily each could hear the heartbeat of the other. "Oh my god," Johnny whispered with the only breath he could muster.

"Just their damned yankee be damned bugle," Cornbread answered, his heart still racing. "An' a screech owl scared out of his wits."

Rolling over on his back, his face turned to the light cold drizzle of rain that began to settle on his scruffy beard and ashen face, Cornbread muttered quietly, "A helluva way to grow up!"


Note:
We did not edit out the graphic language in this manuscript in order to present this
unbiased view of the reality of  war for  the Confederate Soldiers. It has
been quoted that "war is hell", and agreeing, we have left it in.  We do not condone
nor endorse graphic language as Christians, but it is left here
to show the ravages and harsh reality of war. 



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River's Bridge Reenactment:  Photo by Jerry Durgan

 

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